Contemporary American painting and sculpture 1963

Continues: Illinois. University. College of Fine and Applied Arts. Exhibition of contemporary American painting and sculpture

A History of the John Herron Art Institute

Digitized copy. Some images contained in original print version unavailable. Permission to submit this granted by Sister Margaretta Black, OSF, member of the General Council in letter dated November 21, 2002.Text prepared for digitization by Jolene M. Kernick."A thesis submitted in partial fulfuilment of the requirements for the degree of Master of Arts, College of Education. Division of Graduate Instruction. Butler University. Indianapolis. 1947

A report on an Arts Administration internship marketing The Arts Center at Okaloosa-Walton Community College

This report is a description of a three-month internship from May 21, 2001 through August 21, 2001 which began as an assignment with The Northwest Florida Symphony Orchestra. The NFSO operates under the auspices of Okaloosa-Walton Community College and resides along side the college\u27s Division of Humanities, Fine, & Performing Arts and within The Arts Center facility. My position as an NFSO intern was to be the operations manager in charge of marketing and preparation for the 200 1-2002 season

American Art Today: Night Paintings

Catalog of an exhibition held at the Art Museum at Florida International University. Essay by Barbara Dayer Gallati ; curated by Dahlia Morgan.https://digitalcommons.fiu.edu/frostcatalogs/1020/thumbnail.jp

Tarble Arts Center Newsletter September 2006

https://thekeep.eiu.edu/tarble_newsletter/1149/thumbnail.jp

Tarble Arts Center Newsletter September 2006

https://thekeep.eiu.edu/tarble_newsletter/1149/thumbnail.jp

The Archigram Archive

The Archigram archival project made the works of seminal experimental architectural group Archigram available free online for an academic and general audience. It was a major archival work, and a new kind of digital academic archive, displaying material held in different places around the world and variously owned. It was aimed at a wide online design community, discovering it through Google or social media, as well as a traditional academic audience. It has been widely acclaimed in both fields. The project has three distinct but interlinked aims: firstly to assess, catalogue and present the vast range of Archigram's prolific work, of which only a small portion was previously available; secondly to provide reflective academic material on Archigram and on the wider picture of their work presented; thirdly to develop a new type of non-ownership online archive, suitable for both academic research at the highest level and for casual public browsing. The project hybridised several existing methodologies. It combined practical archival and editorial methods for the recovery, presentation and contextualisation of Archigram's work, with digital web design and with the provision of reflective academic and scholarly material. It was designed by the EXP Research Group in the Department of Architecture in collaboration with Archigram and their heirs and with the Centre for Parallel Computing, School of Electronics and Computer Science, also at the University of Westminster. It was rated 'outstanding' in the AHRC's own final report and was shortlisted for the RIBA research awards in 2010. It received 40,000 users and more than 250,000 page views in its first two weeks live, taking the site into twitter’s Top 1000 sites, and a steady flow of visitors thereafter. Further statistics are included in the accompanying portfolio. This output will also be returned to by Murray Fraser for UCL

Nebraska Art Today: A Centennial Invitational Exhibition

Anniversaries make suitable opportunities for summing up - appraising past progress and looking forward to a better future. Hence, in Nebraska\u27s 100th year as one of the United States of America, it is appropriate that we trace activity in the arts during pioneer days and the period of expansion, pausing perhaps to offer congratulations for past accomplishments or to wish that achievement had been higher. Middle Western culture is a transplant and a product of the times. The newly-opened territory offered opportunities for material advancement, and settlers either brought with them an acquaintance with genteel living or a desire for a better life. Practical matters and the demands of everyday living had to come first. But when the first days of prosperity arrived, the successful could indulge themselves in comfort and luxuries which naturally reflected the tastes of the decade. The decorative arts were patterned on plush Victorian parlors adapted from royal palaces. Paintings fitted the decor, being usually copies of old masters or derivatives of European Salon paintings which featured pleasing landscapes, romanticized peasants, or story-telling scenes. It is not to be expected to find a collector who would explore the work of the painters experimenting in such unproved techniques as impressionism, even though examples by painters now world-famous were exhibited in the state. In general the work of local artists followed the national taste. As might be expected, most art activity centered in the larger towns of lincoln and Omaha, both for creative artists and for patrons of the arts. The illustrations in the first part of this booklet show paintings from the early exhibitions in Nebraska which can still be seen today, or other works by the same artists. These pictures represent only a sampling of the collections and are intended to show the variety of painting types and the changing pattern of styles. Many of the paintings may seem dated to us now, but they represent not only the taste of their patrons, but reflect attitudes of each period, just as painting in 1967 expresses the new forces with which we are confronted - electronics, mechanization, splitting atoms and exploring outer space. Once the artist knows how the earth is flattened and patterned by a view from 30,000 feet in the sky, he can no longer present a landscape from the view-point of a rural shepherd without ignoring the realities of his own existence. Paintings of today should be different from those of yesterday. The work of representative Nebraska artists of today illustrated in this catalog gives a sampling of the varied and individual work being done now. While this work shows the influence of contemporary trends, all art evolves from the past. The earliest artists who painted in Nebraska cannot be claimed as Nebraskans. They were artists-explorers who passed through during the first half of the 19th Century as expedition members, or in the latter half of the Century as professional artists who were inspired by the glorious vistas of the plains and the mountains and whose paintings found a ready market among those fascinated by the new West. However, they are a part of our heritage and should be mentioned

South Dakota Art Museum News, Summer 1991

Volume 22, Number 1 Summer ExhibitionsStengel Elected Museum Board PresidentRecent AcquisitionA Distinguished VisitorKirkbridge Elected Guild PresidentMuseum Receives Arts Council Reporthttps://openprairie.sdstate.edu/sdam_news/1011/thumbnail.jp

South Dakota Memorial Art Center News, Winter 1974

Greener Goose Painting Acclaimed as \u27Finest Work on Display in Center\u27\u27Civilisation\u27 Series to end December 5Mrs. Holst AppointedJoint Painting/Ceramic Exhibition ScheduledPaintings by KawaCeramic Sculptures by EvansGift of Studio Grand Climaxes Mrs. Sexauer\u27s Support of ArtsNine Works Join Collection at Art CenterTime-Life Films use Dunn PaintingAmerican Environment Collection SlatedNew Memorials EstablishedDonation of Painting Brings Unknown S.D. Artist to LightMemorial Art Center Winter 1974 ProgramEskimo Sculptures, Prints ScheduledArt Center Membership Growshttps://openprairie.sdstate.edu/sdam_news/1082/thumbnail.jp